Monday, March 29, 2010
Monday, March 22, 2010
manifesto video shoot
Reminder:
We are meeting in the sculpture crit room (FAB first floor) today to shoot manifesto videos.
If you are shooting your video yourself, you will need to save the video as a .mov (720 x 480) and get the file to me on CD. Put CD in my mailbox in the art office by Friday, April 2nd
I plan to make a longer compilation of all manifestos and need a good quality uncompressed .mov file.
You will also need to compress your video for web streaming and upload your video to youtube by class time on April 5th.
You will need an account on youtube to upload vids. Plenty of tutorials in youtube on how to do this.
I will show you how to embed your manifesto youtube video in your blog on April 5th. It would be helpful though if you did this before class if you can.
We are meeting in the sculpture crit room (FAB first floor) today to shoot manifesto videos.
If you are shooting your video yourself, you will need to save the video as a .mov (720 x 480) and get the file to me on CD. Put CD in my mailbox in the art office by Friday, April 2nd
I plan to make a longer compilation of all manifestos and need a good quality uncompressed .mov file.
You will also need to compress your video for web streaming and upload your video to youtube by class time on April 5th.
You will need an account on youtube to upload vids. Plenty of tutorials in youtube on how to do this.
I will show you how to embed your manifesto youtube video in your blog on April 5th. It would be helpful though if you did this before class if you can.
Saturday, March 13, 2010
autonomy
In order to remain autonomous, at some point art began to copy everything that is not autonomous. There was no lack of supply and demand since power, as we know, can only be held over the production of truth or else it does not function.
Peter Friedl, The Curse of the Iguana: On Genre and Power
Peter Friedl, The Curse of the Iguana: On Genre and Power
Sunday, March 7, 2010
"Kunst Das Capital" -Beuys
http://www.artinfo.com/news/story/34005/artists-and-dealers-prospect-in-the-new-frontier/?page=1
http://www.artinfo.com/news/story/33597/little-mitte/?page=1
http://www.artinfo.com/news/story/34075/collector-michael-hort-on-the-armory-show/
http://www.bloomberg.com/apps/news?pid=20601088&sid=awIiYUlqENJo
http://www.db-artmag.com/en/58/
http://www.mediabistro.com/unbeige/events/buckle_your_seatbelt_its_the_armory_show_153566.asp
http://www.theartnewspaper.com/articles/The-Art-Show-Flying-the-flag-for-US-dealers/20398
http://www.bloomberg.com/apps/news?pid=20601088&sid=aEf_4WkBGado
http://www.theartnewspaper.com/articles/%E2%80%9CTogether-we-are-stronger%E2%80%9D/20400
http://www.artinfo.com/news/story/33597/little-mitte/?page=1
http://www.artinfo.com/news/story/34075/collector-michael-hort-on-the-armory-show/
http://www.bloomberg.com/apps/news?pid=20601088&sid=awIiYUlqENJo
http://www.db-artmag.com/en/58/
http://www.mediabistro.com/unbeige/events/buckle_your_seatbelt_its_the_armory_show_153566.asp
http://www.theartnewspaper.com/articles/The-Art-Show-Flying-the-flag-for-US-dealers/20398
http://www.bloomberg.com/apps/news?pid=20601088&sid=aEf_4WkBGado
http://www.theartnewspaper.com/articles/%E2%80%9CTogether-we-are-stronger%E2%80%9D/20400
Armory
We cruised the armory like flaneurs, like spies, like emmigrants. Sitting down for a moment and a bit of water, resting on wood stumps on art forum island, we half-heartedly assessed the shoes of passersby while overhearing the conversation between a collector for the Whitney collection in Japan and a female investment banker, originally from Shanghai.
Tuesday, March 2, 2010
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